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The interpretation of part human part animal figures is critical to the understanding of southern African rock paintings, as is the meaning ascribed to the many depictions of eland. The conventional view is that these image patterns derive from the essentially shamanistic character of the art. Here I argue that the conflation of human and animal is a far more pervasive component of southern African hunter-gatherer expressive culture and relates to the central ificance of hunting in organizing man-animal and male-female relations.

The eland too plays a key role in these relations. In the western Cape rock paintings the influence of this extended hunting metaphor in informing image choice appears to be paramount. II en est de pour la ification des representations attribuees de l'elan. L'idee conventionnelle veut que les sujets de ces representations proviennent du caractere chamanique de l'art. L'elan joue egalemnet un role clef dans ces relations. Dans les peintures rupestres de l'Ouest du Cap, l'influence de cette metaphore elargie dans le choix d'images informatives ayant du sens parait etre essentielle.

African Archaeological Review publishes authoritative articles on African archaeology, highlighting the outstanding contributions of this region's past as they relate to key global issues. Important topics include the emergence of modern humans, earliest manifestations of human culture, and the origins of African plant and animal domesticates. Contributions feature timely interregional continental or subcontinental studies covering a wide research range, including: cultural continuities and discontinuities; interregional interactions; biocultural evolution; cultural dynamics and ecology; the role of cultural materials in politics and ideology; the application of ethnohistorical, textual, and ethnoarchaeological data in archaeological interpretation; conservation; management of cultural heritage, information technology, and public archaeology.

Papers present new field data from key excavation sites or localities aimed at understanding interregional processes, major cultural changes, and transitions in Africa's past, and Africa's place in world archaeology. Springer is one of the leading international scientific publishing companies, publishing over 1, journals and more than 3, new books annually, covering a wide range of subjects including biomedicine and the life sciences, clinical medicine, physics, engineering, mathematics, computer sciences, and economics.

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Abstract The interpretation of part human part animal figures is critical to the understanding of southern African rock paintings, as is the meaning ascribed to the many depictions of eland.

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Journal Information African Archaeological Review publishes authoritative articles on African archaeology, highlighting the outstanding contributions of this region's past as they relate to key global issues. Publisher Information Springer is one of the leading international scientific publishing companies, publishing over 1, journals and more than 3, new books annually, covering a wide range of subjects including biomedicine and the life sciences, clinical medicine, physics, engineering, mathematics, computer sciences, and economics.

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Sex differences in adverse drug reactions reported to the National Pharmacovigilance Centre in the Netherlands: An explorative observational study